Fighter Jet Air Show - 53rd International Paris Air Show at Le Bourget Airport near Paris. [Pascal Rossignol/Reuters]
The 53rd International Paris Air Show, an event for the aerospace industry, is an opportunity to take the pulse of the 150 billion-a-year business of commercial aircraft, which many analysts believe is slowly transitioning from a commercial pressure to an economic flag due to global pressure. . , underscored by a profit warning from Lufthansa late Sunday.
Fighter Jet Air Show
Downgraded by grounding its 737 MAX after two deadly crashes, US giant Boeing has sought to reassure customers and suppliers about the plane's future and fended off months of criticism over its handling of the crisis.
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French President Emmanuel Macron opened the show by unveiling a new fighter jet model as France and Germany signed an agreement for its development.
The June 17-23 show is not just about jet deals, but is also a magnet for many of the world's arms buyers checking out the latest military equipment, from anti-aircraft missiles to cyber warfare capabilities.
Delegates were watching the showdown between the United States and Iran in the Gulf, where Washington accused Tehran of attacking two tanks along a key transport route, raising fears of a wider conflict in the region.
In another political move affecting arms firms attending the show, the US threatened to cancel Turkey's participation in the Lockheed F-35 fighter jet program over Ankara's purchase of the Russian S-400 air defense system.
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Many of the world's arms buyers come to inspect the latest military equipment, from anti-aircraft missiles to cyber warfare capabilities. [Pascal Rossignol/Reuters]
Vahana, an experimental flying taxi by Airbus, is on display at Le Bourget airport. The Paris Air Show offers an opportunity to take the pulse of the 150 billion a year commercial aviation industry. [Pascal Rossignol/Reuters]
The Airbus A350-1000 takes off during the inaugural Paris Air Show. Airbus will launch the long-haul version of the A321neo passenger jet at the show and is said to announce around 200 orders per week. [Pascal Rossignol/Reuters]
An Israeli Aviation Alice electric plane is on static display. Many analysts believe the airline industry is slowing due to global pressures ranging from trade tensions to economic recession. [Pascal Rossignol/Reuters] Red, white and blue smoke behind jets, Miramar Air Show, 28 September 2018. Sony A9, Sony 400/2.8 on Wimberley WH-200, 1/2 at f/2.8, ISO 100 at 500. Or a Complete solution.
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MCAS Miramar, San Diego California, USA, 28 September 2018. All captured as normal JPG files; No raw material required:
Red biplane against blue sky and smoke trail, Miramar Air Show, 28 September 2018. Sony A9 on Wimberley WH-200, Sony 400/2.8, f/2.8 at 1/ 4,000 at ISO 100. Maximum or full resolution.
This guy is a mile away! This system of the Sony A9, Sony 400/2.8 and Wimberley WH-200 is so sharp that it has no problem filtering as needed at this distance.
Major Airshows In The Uk
Shockwave Jet Truck, Miramar Air Show, 28 September 2018. Sony A9 on Wimberley WH-200, Sony 400/2.8, f/2.8 at 1/4,000 at ISO 100. large or wide.
It's distant and disconnected. You can't shoot this on an iPhone because 1.) you're too close to inhale a jet engine and 2. a small fire. At a distance we change the rendering so that the truck's grill is smaller and the flames in the background are larger.
How loud is it? I'm writing this two days later on Sunday from nine miles away and I heard it on today's show!
That jet engine truck noise was so loud that it hurt my friend's dogs for a week when he pointed it out!
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Marines assemble from a helicopter, Miramar Air Show, September 28, 2018. Wimberley WH-200 with Sony A9, Sony 400/2.8, ISO 100 at 1/2, 500 at f/2.8. Very good.
With the 400mm lens I had to wait for marines a mile away before I could get them in a single frame. They are about a thousand meters from the ground.
Blue Angels, Miramar Air Show, 28 September 2018. Sony A9 on Wimberley WH-200, Sony 400/2.8, 1/2 at ISO 100, f/2.8 at 500. Large or full-resolution.
Flag and Paratroopers, Miramar Air Show, 28 September 2018. Sony A9 on Wimberley WH-200, Sony 400/2.8, f/2.8 at 1/4,000 at ISO 100. Great.
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Flying Lamborghini, Miramar Air Show, 28 September 2018. Sony A9 on Wimberley WH-200, Sony 400/2.8, 1/1 at ISO 100, f/2.8 at 600. Large or full-resolution.
US Marines F-35B, Miramar Air Show, 28 September 2018. Sony A9 on Wimberley WH-200, Sony 400/2.8, 1/1 at ISO 100, f/2.8 at 600. Larger or full-resolution.
The Blue Angels, Miramar Air Show, 28 September 2018. Sony A9 on Wimberley WH-200, Sony 400/2.8, f/2.8 at 1/4,000 at ISO 100. Larger or full-resolution.
I have been doing air shows since childhood. My mom became a pilot and flying instructor ten years before I was born, so I've been around airplanes since I had difficulty with film and manual focus. Digital today is easy with autofocus and mirror, so here we go.
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Sharp photos of airplanes in flight require fast shutter speeds, low ISOs, and long fast lenses. The main reason to use a shutter speed lower than 1/1,000 is because you want to show the propellers or rotors moving (higher shutter speed).
Faster shutter speeds at lower ISOs mean wider frames. Shoot with your lenses wide open, just like we do when shooting in the air.
This means shooting your f/2.8 lenses at f/2.8 and your zooms at their maximum aperture. You don't need any depth of field when shooting this far.
Many people use ISOs above 100 or small apertures like f/11 and get blurry photos due to the combined effects of any or all diffraction from subject or camera movement amplified by long lenses or slow shutter speeds. Closing, and fading. Noise reduction results at ISOs above 100.
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Yes, modern cameras look great at most ISOs, but for the best professional results, open your lens wide open at the lowest ISO you can. You don't need any depth of field when shooting distant objects.
I shot 4,995 frames per day of the sample images above with the Sony A9, 400 / 2.8 and Wimberley WH-200 system, and 4,650 of them were sharp, well exposed, and properly framed! The 345 frames I threw away either lacked a well-aligned plane or were way off; With technical equipment they are all on target and well exposed.
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While an iPhone or point-and-shoot won't do much for aerial photography, any high-end camera will do just fine, given the right lens. As we say in racing "Run what you hear".
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1.) Mirrorless autofocuses over the entire frame, while full-frame DSLRs only focus near the center. For corner aerial shots, you're dead set on a DSLR.
2.) Mirrorless viewfinder images will never darken, skip or become blurry as you shoot. All DSLRs are black-and-white as each image is taken, and at high speeds the DSLR's image acquisition starts to blur vertically in the mirror as it flies past ten frames per second or more. Only the iPhone and Sony A9 are ready today, but mirrorless will all catch up soon.
3.) When you shoot through the sun with a 400mm f/2.8 lens, you won't get blinded like you would with a DSLR. The 6" diameter front element focuses that light into an area smaller than a pencil eraser, and that light exits the eyepiece on a DSLR - but not on the electronic finder.
All cameras in the last 20 years have gotten a bigger autofocus track to speed planes up into the sky at the frame rate they support.
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High frame rates stop shooting more we can pick up later, so if the budget isn't limited go for the 20 FPS Sony A9, 14 FPS Canon 1DX Mk II or 12 FPS Nikon D5, but you also come with thumb-wound-focus cameras that get good shots if you have the right lens and the right lens. Press the shutter in time. Shooting with the A9 allows me to be lazy and pick the best shots later, but I have a film camera with a sore thumb.
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